But we were more interested in the recesses of Comptroller Bay, where our eyes eagerly sought out the three bights of land and centred on the midmost one, where the gathering twilight showed the dim walls of a valley extending inland. How often we had pored over the chart and centred always on that midmost bight and on the valley it opened—the Valley of Typee. “Taipi” the chart spelled it, and spelled it correctly, but I prefer “Typee,” and I shall always spell it “Typee.” When I was a little boy, I read a book spelled in that manner—Herman Melville’s “Typee”; and many long hours I dreamed over its pages. Nor was it all dreaming. I resolved there and then, mightily, come what would, that when I had gained strength and years, I, too, would voyage to Typee. For the wonder of the world was penetrating to my tiny consciousness—the wonder that was to lead me to many lands, and that leads and never pails. The years passed, but Typee was not forgotten. Returned to San Francisco from a seven months’ cruise in the North Pacific, I decided the time had come. The brig Galilee was sailing for the Marquesas, but her crew was complete and I, who was an able-seaman before the mast and young enough to be overweeningly proud of it, was willing to condescend to ship as cabin-boy in order to make the pilgrimage to Typee. Of course, the Galilee would have sailed from the Marquesas without me, for I was bent on finding another Fayaway and another Kory-Kory. I doubt that the captain read desertion in my eye. Perhaps even the berth of cabin-boy was already filled. At any rate, I did not get it. And now to the particular physics of surf-riding. Get out on a flat board, six feet long, two feet wide, and roughly oval in shape. Lie down upon it like a small boy on a coaster and paddle with your hands out to deep water, where the waves begin to crest. Lie out there quietly on the board. Sea after sea breaks before, behind, and under and over you, and rushes in to shore, leaving you behind. When a wave crests, it gets steeper. Imagine yourself, on your hoard, on the face of that steep slope. If it stood still, you would slide down just as a boy slides down a hill on his coaster. “But,” you object, “the wave doesn’t stand still.” Very true, but the water composing the wave stands still, and there you have the secret. If ever you start sliding down the face of that wave, you’ll keep on sliding and you’ll never reach the bottom. Please don’t laugh. The face of that wave may be only six feet, yet you can slide down it a quarter of a mile, or half a mile, and not reach the bottom. For, see, since a wave is only a communicated agitation or impetus, and since the water that composes a wave is changing every instant, new water is rising into the wave as fast as the wave travels. You slide down this new water, and yet remain in your old position on the wave, sliding down the still newer water that is rising and forming the wave. You slide precisely as fast as the wave travels. If it travels fifteen miles an hour, you slide fifteen miles an hour. Between you and shore stretches a quarter of mile of water. As the wave travels, this water obligingly heaps itself into the wave, gravity does the rest, and down you go, sliding the whole length of it. If you still cherish the notion, while sliding, that the water is moving with you, thrust your arms into it and attempt to paddle; you will find that you have to be remarkably quick to get a stroke, for that water is dropping astern just as fast as you are rushing ahead.!

“Is he all right?” meaning the parrot. On the platform Tehei and Bihaura danced, accompanied by songs and choruses or by rhythmic hand-clappings. At other times a musical knocking of the paddles against the sides of the canoes marked the accent. A young girl dropped her paddle, leaped to the platform, and danced a hula, in the midst of which, still dancing, she swayed and bent, and imprinted on our cheeks the kiss of welcome. Some of the songs, or himines, were religious, and they were especially beautiful, the deep basses of the men mingling with the altos and thin sopranos of the women and forming a combination of sound that irresistibly reminded one of an organ. In fact, “kanaka organ” is the scoffer’s description of the himine. On the other hand, some of the chants or ballads were very barbaric, having come down from pre-Christian times.

We rode on to Ho-o-u-mi. So closely was Melville guarded that he never dreamed of the existence of this valley, though he must continually have met its inhabitants, for they belonged to Typee. We rode through the same abandoned pae-paes, but as we neared the sea we found a profusion of cocoanuts, breadfruit trees and taro patches, and fully a dozen grass dwellings. In one of these we arranged to pass the night, and preparations were immediately put on foot for a feast. A young pig was promptly despatched, and while he was being roasted among hot stones, and while chickens were stewing in cocoanut milk, I persuaded one of the cooks to climb an unusually tall cocoanut palm. The cluster of nuts at the top was fully one hundred and twenty-five feet from the ground, but that native strode up to the tree, seized it in both hands, jack-knived at the waist so that the soles of his feet rested flatly against the trunk, and then he walked right straight up without stopping. There were no notches in the tree. He had no ropes to help him. He merely walked up the tree, one hundred and twenty-five feet in the air, and cast down the nuts from the summit. Not every man there had the physical stamina for such a feat, or the lungs, rather, for most of them were coughing their lives away. Some of the women kept up a ceaseless moaning and groaning, so badly were their lungs wasted. Very few of either sex were full-blooded Marquesans. They were mostly half-breeds and three-quarter-breeds of French, English, Danish, and Chinese extraction. At the best, these infusions of fresh blood merely delayed the passing, and the results led one to wonder whether it was worth while. CHAPTER XVII THE AMATEUR M.D. “Let us do it,” we said . . . in fun.